Showing posts with label contemporary. Show all posts
Showing posts with label contemporary. Show all posts

Wednesday, 29 September 2010

Review: On the Jellicoe Road by Melina Marchetta [Audiobook]

On the Jellicoe Road by Melina Marchetta [Audiobook]



Genre:Contemporary > Social Issues
Age Group:13+
Publisher:Penguin
Release Date: 2006
Form: Audiobook on CDs
Source: Local Library
ISBN: 9780670070299

Rating: 

 

Cover love? The cover is of an artistic road, with figures in both the background and foreground. But, the road is not what I imagine the Jellicoe Road to be. However, I love the layout, contrasts and tone - the cover makes a beautiful artwork.






"What do you want from me?" he asks. 

What I want from every person in my life, I want to tell him. 

More. 

Taylor Markham is not a popular choice. She is erratic, has no people skills and never turns up to meetings. Not to mention the incident when she ran off in search of her mother and only got halfway there. But she's lived at Jellicoe School most of her life and as leader of the boarders that's her greatest asset. Especially now the cadets, led by the infamous Jonah Griggs, have arrived. The territory wars between the boarders, townies and cadets are about to recommence. 

But Taylor has other things on her mind: a prayer tree, the hermit who whispered in her ear, and a vaguely familiar drawing in the local police station. Taylor wants to understand the mystery of her own past. But Hannah, the woman who found her, has suddenly disappeared, leaving nothing but an unfinished manuscript about five kids whose lives entwined twenty years ago on the Jellicoe Road. - from Melina Marchetta's site.




I actually listened to an audiobook version of On the Jellicoe Road, lovingly borrowed from the local library, of course.

The narrator was Rebecca Macauley, and I believe that she is one of the best audiobook narrators out there. When you're listening to an audiobook, the believability and skill of the narrator is of paramount importance. No matter how good the book is, the person narrating it can alter the listener's entire perspective of the book.

For example, The Hunger Games is without question, one of the greatest books I have ever read. One of the reasons is due to the relatability of Katniss' voice. When I'm reading Suzanne Collins' words, I feel as if I am hearing Katniss. But when I heard the audiobook version, I felt that the narrator's voice didn't suit what I imagined Katniss to sound like. I couldn't relate to it, and so I stopped listening.

But with Macauley's reading, I felt that the Australian setting, the characters, and the moving story came through in her voice. It didn't feel like someone was reading a book to me; it felt as if Taylor Markham and Nanie were telling me their story. Macauley's voice captures the essence of On The Jellicoe Road in an authentic way that draws the listener right into the story.

The story alternates between the life of Taylor Markham, and the story of a group of friends in the eighties. Thus, the story is at times broken and a little confusing, but the end result is two complex, immersive storeis that join together to form one.

The characters and setting are distinguishably Australian. They feel natural to me - perfect characters in that they are imperfect people. The characterisation here is also beautiful - they each have thier individual voices, style and personality. There's never any confusion between the characters, despite their number. I loved each and every one of them - Taylor, Jonah Greggs, Raffy, Santangelo, Jessa, Nanie, Tate, Fitz, Jude, Web.

My one concern is that to me, Taylor felt a lot like Josephine Alibrandi from Looking For Alibrandi. Their personalities were very similar, and it felt like the same character in two different stories. They were both rebellious, confused, loyal, loving, Australian teens. They both faced some form of social issue, despite the two books being vastly different within the same genre.

Melina Marchetta's writing style is very characteristic in that sense, but it always speaks of truth, pain and love, and her use of words and dialogue propels the story forward, and paints the scene in the recipient's mind.

A story of discovering the truth, finding love, and making friends along the way.


Rating: 



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Monday, 20 September 2010

Review: Thirteen Reasons Why by Jay Asher

UK cover
US Cover

Thirteen Reasons Why by Jay Asher

Genre:Young Adult - Contemporary
Interest:Debut novel
Age Group:13+
Publisher:Razorbill Penguin
Release Date: 2007
Pages: 288
Cover love? My edition of Thirteen Reasons Why is the one shown on the right - the UK one. And I have to say that it looks a little morbid, which is probably the reasons why I didn't immediately pick it up and read it. But after reading the book, I think this cover is perfect. However, the US cover looks brighter, one I would probably pick up immediately. 


Synopsis
Clay Jensen returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers cassette tapes recorded by Hannah Baker—his classmate and crush—who committed suicide two weeks earlier.

On tape, Hannah explains that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he’ll find out how he made the list.

Through Hannah and Clay’s dual narratives, debut author Jay Asher weaves an intricate and heartrending story of confusion and desperation that will deeply affect teen readers.

Review
Thirteen Reasons Why is a strikingly truthful account of teenage troubles. It's not a happy, fluffy comtemporary novel - it's a sad, haunting story with themes of sexual abuse and suicide. It will make your heart wrench and your tears flow, because it's filled with so much truth and sadness.

The book occurs over one night, as Clay Jensen is listening to Hannah's tapes. The format of this book is in alternating first person perspectives, from Clay's thoughts, to those of Hannah Baker, as told to us through what Clay hears from the cassette tapes. We get the story from Hannah's voice, and the reactions and alternate point of view from Clay. The alternating POVs were clear and served their purpose well, contrary to the confusion commonly induced with alternating first-person narratives.

Jay Asher's decision to tell the story in this way is both original and enticing, setting this book apart from many others that I've read. Hannah and Clay's voices are exceedingly believable. I could almost hear them in my mind as I was reading the book, and I credit this to Jay Asher's immense ability to give personality to his characters through their prose. Hannah was personified well - although she was in her grave, her voice in was witty, snarky and had a dry humour that made me like her immensely. I wanted to reach through the pages and console her.

Clay never receded into the background, because when he listened to the tapes, he was recounting and redefining his concept of Hannah. Although the book was from his perspective, Hannah was the main character.

Hannah told us everything that happened to her - all the events that in combination, lead to her decision to kill herself. The plot seemed like a string of unfortunate events, but there were twists and turns that caused me to gasp and clutch my book harder. Although two particular scenes dark subject matters, it was told in a way that wasn't perverse or explicit. It was told through the impact that it had on Hannah.

I can't quite put my finger on what exactly makes me love so much. I guess it was a combination of Hannah's resounding and real voice, the beautiful but sad tale and the unique format of the book. It's a beautifully emotive book that will forever remain in my heart.

Rating: